Natpe Miami 2018: content hub for a changing industry
The NATPE’s Brandon Tartikoff Legacy Awards: executive producer Greg Berlanti; Telemundo and NBCUniversal International chairman Cesar Conde; award-winning actress Jane Fonda; TBS and TNT president Kevin Reilly; and award-winning actor Tom Selleck
NATPE’s Brandon Tartikoff Legacy Award winner Jane Fonda with Ted Sarandos, chief content officer, Netflix
Leading Portuguese broadcasters at Globo TV Screenings: Eduardo Moniz, independent producer; Margarida Pereira, TVI; José Amaral, SP Televisao; José Silva Pedro, Coral Vision Europa; Gabriela Sobral, Carlota Vieira and Joao Pedro Nava, all from SIC
TV2 Hungary, for the first time at NATPE Miami: Okros Gergely, programming director, Andrea Zaras, head of content management, and Gabor Fisher, TV cable network director
Johanna Salmela, acquisition executive, YLE (Finland), Oliver Bachert, EVP, International Acquisitions, Beta Film (Germany), Patricia Park, business partnership manager of the new Korean OTT Kocowa, Catalina Galvez, Metro TV (Colombia), and Sari Buksner, senior director development of Just for Laughs (Canada)
A Summit which joined U.S. Agencies with Latin American media heads was a huge success, with 8 and 14 companies, respectively. It was organized by NATPE and Prensario, promoting business between the two markets
JTBC, the youngest Korean broadcaster, is looking to develop new strategic alliances in America: Steven JH Choi, general manager, and Joo, Hyun Tae, manager, corporate strategy development (bordes) together with Anne Lee, manager
More international companies in Miami: Dhanasak Hoonarak, chief business developing officer, and Wirata Laksanasopin, international business of Workpoint/Channel 23 Thailand (borders) with Carlotta Rossi Spencer, head of format acquisitions, Banijay Group (UK)
TV France International: Herve Michel, president, and Marie-Laure Hebrard, president, Film Picture
The perception of less attendance at the Fontainebleau lobby and its market floor could be attributed to the fact that some companies decided to take suites at Soho House and Eden Rock, transforming the people traffic at the resort.
According to Prensario, there were about 4500 executives, from which 45% represented the domestic U.S. market, 30% from Latin America and 25% from other regions. There were 1100 buyers, from which 25% were digital (300 executives). All the big titans were present: Netflix, Amazon and Hulu, as well as Apple, Roku, Facebook, and all the regional and Latin American OTT community, which is bigger year to year.
In spite of the rumors about changing the city next year, JP Bommel, CEO, and Andy Kaplan, chairman of NATPE, confirmed Miami for 2019. The city is a great business hub to join the Americas, Europe and Asia, allowing international buyers from France, UK, Belgium, Nordics, Spain, Portugal, Italy, Hungary, Korea, Japan to go deeper on their content searches in both segments, finished content and formats, but also co-productions. New business formats and digital developments have taken place, as well.
Buyers testimonies? Andrea Zaras, head of content management, TV2 (Hungary): ‘We become leaders of the prime time after 15 years because we innovated with fresh contents. We decided to come to NATPE for that reason: to look for new providers, which can’t be seen in other markets. We are mainly seeking for daily shows and big shinny-floor formats for the prime time’.
Milagros Mayi, head of acquisitions, RTVE (Spain): ‘We are looking for new co-production opportunities for fiction projects in the Americas. Then, movies, documentaries and entertainment formats’. Johanna Salmela, acquisitions executive, YLE (Finland): ‘I really like NATPE. This year we are particularly interested in Latin content, which is warmer and with more feelings. Series like Los Serranos (Imagina, Spain) have been very successful in our country’.
Trendy concepts? Mike Beale, EVP development, ITV (UK): ‘The OTTs are taking the entertainment format business very seriously, but slowly as it forces them to generate new routines and production processes’. Herve Michel, president, TV France International: ‘18 French companies assisted NATPE Miami, which allows us to connect with America but also with Asia. French fiction is gaining recognition in the market place: it works well in Europe and globally’.
Vanessa Shapiro, president, distribution, Gaumont (France): ‘Many European companies are investing in America, producing original content in English. The American market is more open for foreign ideas and co-productions to refresh the offering. We are very successful with Narcos, which is a referent from Netflix to all the market’. One of the biggest announcements of the market has been the USD 32 million-budgeted co-production between Sonar (USA) and Bavaria Films (Germany), Das Boot (8 eps.) about the WW2. David Ellender (Sonar) and Moritz Polter (Bavaria) agreed: ‘It is fundamental to be authentic, and to combine fresh with original. If you are able to have the best story with the characters that people can relate to, you have a new hit’.
Michel Rodrigue, from The Fomat People (USA) about Asia: ‘Successful business models? Americans and Europeans are co-producing and co-developing with Asian. This former ones keep the IPs and sold the content to the global market on a revenue-sharing model’.
Digital? Roku and Facebook had suites at NATPE. While the first one is preparing a strong launch all across 10 key Latin America territories, offering different kind of platforms, channels and content, the second has announced three new productions for its OTT platform, Watch, and plans to expand globally.
There were innovative digital buyers as VEWD, which generates channels for SmarTVs that can be acceded by paying a fee or advertising; at NATPE Miami, it bought content but also discussed for alliances with key brands. And Future Today, which produces apps for OTTs and platforms as Roku.
Latest developments? Companies like Magic Leap offer VR/holograms contents: laser lens that allow creating characters and stories of the day-to-day life. Mediapro (Spain) production company Flipy and Sony PlayStation announced an alliance to launch videogames and educational VR contents, and NHK (Japan) announced the very first 8K channel in the world. Amazon plans to reinforce globally its Amazon Prime subscription service (attending 80 millions in USA, and very successful in UK, Germany, India and Japan, among others) and to offer with it the Prime Video service as a free-of-charge complement.
Apple announced during the show that it will invest USD 350 billions in five years, including 20000 new jobs and generating USD 38 billions in taxes. The rumor about the company acquiring Netflix resurged. Is it possible? Netflix is valuated in USD 700 billion. Today it is the king in almost every market in the world, but Disney has bought FOX and is about to launch two OTT services (one for sports in 2018 and the other in 2019), leaving Netflix platform forever. Everything is about to happen. Keep tuned.
Nicolás Smirnoff, Fabricio Ferrara, Rodrigo Cantisano, Alejo Smirnoff
Turkish Drama is expanding around the World. How?
European networks upgrade with GRB tech series
Parrot Analytics: the four phases of SVOD subscription growth
How the Medium affects the Message
China: CIFTPE 2018 to be held in Beijing on May 17-19
Turkish TV drama: Why is it conquering world markets?
Sonar Entertainment assigns global licensing agency Centa IP
Studiocanal licenses Benedict Cumberbatch's The Child in Time in China
The Turkish TV industry is giving Hollywood a run for its money. How and why?
The Technological Generations Theory
Armoza Formats: Sex Tape arrives to Belgium
MGM restructures EMEA distribution team